Herman Melvilles Story, Bartleby, the Scrivener Essay

In Herman Melvilles short story, Bartleby, the Scrivener, the narrators attitude towards Bartleby is constantly changing, the narrators attitude is conveyed through the authors use of literary elements such as; diction-descriptive and comical, point of view-first person, and tone-confusion and sadness. One of the literary elements that Melville uses that convey the narrators attitude towards Bartleby is diction. The authors diction in this short story is very descriptive and is also slightly comical. One of the ways this is used is when the author gently mocks the narrator by having him expose his flaws through his own words. For example, when the narrator talks of John Jacob Astor, a well respected man who complemented him, we†¦show more content†¦Diction is just one of the literary elements used in this short story which convey the narrators attitude towards Bartleby. Another literary element that is used to convey the narrators attitude towards Bartleby is through point o f view. In Bartleby, the Scrivener the point of view that is used is that of first person narration. By Melvilles use of first person narration it allows us to get close to Bartleby but still be confused and in awe of him and since we see him through the eyes of his employer we can quickly identify with the narrators confusing feelings over Bartleby. An example of this appears on page 127 in paragraph 6; I sat awhile in perfect silence, rallying my stunned faculties. Immediately it occurred to me that my ears had deceived me, or Bartleby had entirely misunderstood my meaning. I repeated my request in the clearest tone I could assume; but in quite as clear a one came the previous reply, I would prefer not to. Here Bartleby has just refused orders from his boss who sits at his desk stunned at wheat he has just heard. This is not the only time throughout the story in which Bartleby does this and always with the same words; I would prefer not to which only frustrates and confuses the na rrator. Another contributor to the narrators growingShow MoreRelatedComparing Barttleby, The Scrivener : A Story Of Wall Street And Bartleby1308 Words   |  6 Pagesat the short story Bartleby, the Scrivener: A story of Wall Street and compare it to Jonathan Parkers 2001 film version Bartleby. Herman Melville wrote the short story â€Å"Bartleby, the Scrivener: A story of wall street† in 1853, narrating a tale from a lawyer about his strange behaved office clerk Bartleby. In 2001 Johnathan Parker of Parker productions turned that story into a film, â€Å"Bartleby.† However, Jonathan Parker makes many changes from the classic original wrote by Herman Melville in 1853Read MoreThe Joy Luck Club And Bartleby The Scrivener1376 Words   |  6 PagesI am a reader who s level of engagement in the story coincides with how applicable the conflicts and central messages are to my life. Likewise, I can readily appreciate a story and its contents when I can mature as a reader alo ngside the development of the story’s main characters, the protagonist especially. For this reason, I was enthralled with Amy Tan’s ‘The Joy Luck Club’ and Herman Melville’s ‘Bartleby, the Scrivener,’ as I resonated well with its main characters; just as the characters graduallyRead MoreA Man s World On Wall Street1638 Words   |  7 PagesWhat makes a man, a man? Herman Melville’s â€Å"Bartleby, the Scrivener,† written in 1851, undoubtedly constructs a man’s world on Wall Street. During this time, it would be said that men and women had a certain role to fulfill. It just so happened that men were considered superior over women during the 1800’s. However, Melville wasn’t completely prosperous exterminating women from his narrative. Herman Melville’s â€Å"Bartleby the Scrivener,† is full of male characters. Bartleby, Turkey, Nippers, and GingerRead MoreHerman Melville s Bartleby, The Sc rivener1305 Words   |  6 PagesHerman Melville’s Bartleby, the Scrivener Born in New York City on August 1st, 1819, Herman Melville led a life that commenced in partial fame and success, but ended in poverty and despair. Although unjustly criticized for the â€Å"purposeless extravagance† and â€Å"disorderliness† of his writing, due to his digressions into many different topics while discussing a single one, especially in his most celebrated novel today, though most criticized and unappreciated in his time, Moby Dick, Herman MelvilleRead MoreBartleby, the Hero in Herman Melville‚Äà ´s Short Story Bartleby the Scrivener1373 Words   |  6 PagesBartleby, The Hero in Herman Melville’s short Story Bartleby the Scrivener In Herman Melville’s short story Bartleby the Scrivener, Bartleby is the hero. The reasons as to why Bartleby is considered the hero of the story are that first, the character refuses to write in his job in the law office. He even starves himself to death by refusing to eat, but in the end, the spirit of Bartleby still remains alive and haunts the narrator. Throughout his life, the narrator remains haunted by the spiritualRead More Themes of Hopelessness in Herman Melville’s Bartleby the Scrivener1233 Words   |  5 Pagesvalidity of our literary analyses. This is especially the case with Herman Melville’s â€Å"Bartleby the Scrivener†. Critics have been trying for decades to make sense of the text and most will describe it as â€Å"inscrutable†. I don’t claim to know better than the critics, but instead offer my own interpretation of the work. Based on my observations and analysis, Melville’s use of many elements in his storyâ €”first and foremost the character of Bartleby, but also the dead letters, the many walls of Wall Street, andRead MoreCharacter Analysis Of Bartleby, The Scrivener808 Words   |  4 Pages In his short-story â€Å"Bartleby, the Scrivener: A Story of Wall Street,† Herman Melville presents an elderly Wall Street lawyer who has trouble dealing with the behavior of his employee Bartleby. The Lawyer, who is a major character in the story, serves as the first-person narrator, which helps readers understand his thoughts and feelings regarding the plot and its characters. This technique allows one to infer that the Lawyer is not a round character; there is no complexity in identifying with theRead MorePlot, Setting, Point of View, and Tone in Bartleby the Scrivener1393 Words   |  6 Pages In the short story, Bartleby the Scrivener, Herman Melville employs the use of plot, setting, point of view, characterization, and tone to reveal the theme. Different critics have widely var ying ideas of what exactly the main theme of Bartleby is, but one theme that is agreed upon by numerous critics is the theme surrounding the lawyer, Bartleby, and humanity. The theme in Bartleby the Scrivener revolves around three main developments: Bartlebys existentialistic point of view, the lawyersRead MoreBartleby The Scrivener Analysis1203 Words   |  5 Pages Herman Melville is an acclaimed author of the American Renaissance period and his most commendable works include â€Å"Bartleby, the Scrivener†. The story of â€Å"Bartleby† is not only a revelation of the business world of the mid-19th century but at the same time, it is also the manifestation of the emerging capitalistic lifestyle of perhaps New York’s most prominent street, Wall Street. Bartleby is a rather peculiar yet captivating figure. Bartleby’s life and death contribute to a sort of enigma for theRead More Comparing Loss of Self in Soldiers Home, Pauls Case, and Bartleby1442 Words   |  6 PagesLoss of Self in Hemingways Soldiers Home, Cathers Pauls Case, and Melvilles Bartleby the Scrivener  Ã‚     Ã‚  Ã‚   Hemingways Soldiers Home, Cathers Pauls Case, and Melvilles Bartleby the Scrivener all present a loss of self. These stories prove that there is a fine line between finding ones self and losing ones self. I believe this loss can occur at any age or station of life. This idea is seen in each storys main character. Hemingways Soldiers Home depicts a young man in

The Transition in Sylvia Plath’s Work - 1438 Words

Life has been some combination of fairy-tale coincidence and joie de vivre and shocks of beauty together with some hurtful self-questioning. --The Bell Jar by Sylvia Plath It has been almost 50 years since the American literary community lost one of its greatest treasures, Sylvia Plath. Even in recent days, numerous scholars are still studying many admirable qualities in Plath’s collection of work. She has developed a unique writing style and performed thoroughly at an early age. Over the years, the events of her life highly affect the focus of her work. This transition is evident in her use of colors, object, and most importantly, her purpose for producing each poem. Plath’s development is presented clearly in her juvenilia poem†¦show more content†¦The beginning of the feminist movement did not help Plath to seek independence. Instead it indirectly caused a new round of obsession of doubting her ability to write. According to Pamela J. Annas, â€Å"Sylvia Plath’s sense of entrapment, her sense that her choices are profoundly limited, is directly connected to the particular time and place in which she wrote her poetryâ €  (Annas). Allusion is a typical strategy that is used in Plath’s work. â€Å"A Life† indicated the return of darkness in her work, and the sorrow sensation was noticeable via dramatic object change. The frustration of being haunted by unhappiness results in an invisible â€Å"bailiwick† that is â€Å"clear as a tear†. The description of round shape â€Å"bailiwick† further demonstrated how the sickness has overpowered her: â€Å"A woman† is â€Å"dragging her shadow in a circle†, and for a life, she wishes that â€Å"it won’t shrink like an eyeball†. The actions of flicking the â€Å"glass† with a â€Å"fingernail†, and listen to the sound â€Å"ping like a Chinese chime in the slightest air stir† are parallels with some of the images she later elaborate in the novel â€Å"The Bell Jar†. They illustrate what is it like to live in the bizarre, hollow mental prison she built around her. And in the followin g three lines, she wrote out her disappointment of being ignored by the closest ones in life: â€Å"Though nobody in there looks up or bothers to answer. Every one of them permanently busy.† Those words indicated how they truly tear Plath’s heart into pieces.Show MoreRelatedContributions Of Sylvia Plath1302 Words   |  6 PagesHenrik Ibsen’s pivotal work regarding social and moral issues of his day and Sigmund Freud’s writing pertaining to peoples’ mental health are just a few of examples of profound writers who contributed to the growth and development of literature. Sylvia Plath was also a profound writer and one of the most respected poets and prose writer of her time as well. She was once described as â€Å"one of the most celebrated and controversial of postwar poets writing in English† (â€Å"Sylvia Plath†). 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Society told women that their only jobs were to get married, have children, and become homemakers, and if a woman did not fall under all of these categories, she was consideredRead MoreSylvia Plath Mad Girls Love Song Analysis1487 Words   |  6 PagesThe Eternal Dance of Dualities. Sylvia Plath wrote â€Å"Mad Girl’s Love Song† in the early fifties while she was an undergraduate college student. The poem is written in the villanelle poetic form of which it reflects not only the rigorous fixed format, nineteen-line with two repeating rhymes and two refrains but also the melancholic tone and rhythm of the traditional dance song—in vogue in Italy and France during the sixteenth century—in which its roots lie. The title itself offers a plausible explanationRead MoreHow To Write Literary Analysis4174 Words   |  17 Pagesof your own life. There are as many different, valid ways of reading a book as there are books in the world. When you read a work of literature in an English class, however, you’re being asked to read in a special way: You’re being asked to perform literary analysis. To analyze something means to break it down into smaller parts and then examine how those parts work, both individually and together. Literary analysis involves examining all the parts of a novel, play, short story, or poem—elementsRead MoreLiterary Group in British Poetry5631 Words   |  23 Pageswide in breadth. Beowulf is the only heroic epic to have survived in its entirety, but fragments of others such as Waldere and the Finnesburg Fragment show that it was not unique in its time. Other genres include much religious verse, from devotional works to biblical paraphrase; elegies such as The Wanderer, The Seafarer, and The Ruin (often taken to be a description of the ruins of Bath); and numerous proverbs, riddles, and charms. With one notable exception (Rhyming Poem), Anglo-Saxon poetry depends

The Secret of Ella and Micha Chapter 20 Free Essays

Ella â€Å"So is this what you used to do all the time?† Lila relaxes back in the lawn chair. â€Å"Just sit around and watch them work on cars all day? God, that must have been nice.† I slurp on my Icee, my eyes fastened on Micha and Ethan working on the car on the opposite side of the garage. We will write a custom essay sample on The Secret of Ella and Micha Chapter 20 or any similar topic only for you Order Now They’re trying to work too fast and it’s making me nervous. â€Å"No, I used to work on the cars with them.† She dumps a bag of MM’s into her hand. â€Å"Do you want to go help them right now?† â€Å"I can hang out here with you,† I say and stick out my hand. â€Å"Besides, I’m kind of enjoying myself.† She dumps some candy into my hand and I pour the chocolate into my mouth. â€Å"I know you are.† She sets the candy on the floor and picks up her soda. â€Å"You’re practically glowing.† I rest my face in my hand to hide the alleged glowing. â€Å"This makes me nervous.† â€Å"What does?† â€Å"Racing when the car’s not running good.† Lila pulls her hair out of the ponytail and tousles it with her fingers. â€Å"Why? Can something go wrong?† â€Å"With racing, anything can go wrong,† I say, mad at myself for getting Micha into this mess. Micha I kick a tool box out of the way and step up onto the bumper, staring down at the engine. â€Å"So what do you think?† Ethan wipes his hands on a rag as he shakes his head. â€Å"I have no clue if this quick fix is going to hold up or not and we don’t have time to check the tie rods. If you got hit hard enough, they’re probably bent and your whole steering is going to be fucked up.† â€Å"I guess we’ll find out when we get it going.† I glance over at Ella and Lila, laughing in the corner of the garage. â€Å"You’re not going to take her with you when you race, are you?† Ethan rounds the back of the car and starts checking the tire pressure. â€Å"Not with the car running like it is.† â€Å"And what if she gives you a hard time.† â€Å"She won’t.† I check the oil. â€Å"At least I think she won’t.† Ethan wipes his hands on his jeans. â€Å"I think that all depends on which Ella you’re dealing with. The nice, polite one or the one who got you into this mess.† I look over at Ella again as she bends over to get a soda from the cooler behind the chairs. Her short shorts ride up and the bottom of her ass peeks out. After getting a drink, she drops back in her chair and opens it up, laughing at something Lila said. I adjust myself and slam the hood of the car down. â€Å"I think she might be a little of both.† *** â€Å"Why are there so many more people tonight?† Lila asks from the backseat, gaping at the cars parked up and down the road. â€Å"It wasn’t this bad the last time we were here.† The girl is scared shitless and I kind of feel bad for her. â€Å"Mikey likes to draw a crowd.† â€Å"To watch him lose?† she asks, prodding Ella with her elbow. â€Å"Maybe,† I say with a heavy sigh, psyching myself out as I climb out of the car. The three of them follow me out and Ella takes my hand as we hike through the crowd where Mikey’s talking smack to some skater dude who drives a Honda in the middle of the crowd, showing off for everyone. There’s a bonfire burning over near The Hitch and people sitting on tailgates, drinking beers, waiting for the race to start. I push my way through the crowd, keeping a hold of Ella’s hand. When we step out into the open, everyone looks at us and gossip starts flowing. Mikey stops talking and claps his hands loudly. â€Å"Holy crap, I didn’t think you’d actually show up.† â€Å"Do I ever not show up?† I say. â€Å"You’re the one that backed out the last time we tried to race.† He spits on the ground and crosses his arms. â€Å"So which one of you’s racing? The little one with the big mouth that got you into this mess? Or are you gonna race me yourself?† Ella starts to move forward. â€Å"I’m – â€Å" â€Å"I am.† I squeeze her hand, pulling her behind me. â€Å"Micha,† she hisses. â€Å"This is my thing. I can handle it.† I shake my head, not looking at her. â€Å"Let’s line up and get this over with.† Mikey grins, rubbing his hands together. â€Å"What? You eager to get your ass kicked?† â€Å"No, I’m eager for you shut up.† With that I turn away and head back to the car with Ella in tow. â€Å"Micha Scott,† she says, tugging on my arm and planting her feet in the dirt, trying to get me to stop walking. Ethan and Lila are a ways back and Ethan’s trying to explain to Lila the rules of racing. I keep walking forward, dragging her along with me, refusing to let her have her way this time – not with this. â€Å"Stop being all noble and just let me drive,† she says hotly. â€Å"It’s much better for me to lose to him then for you to. He’ll bug you about it for the rest of your life.† I stop just in front of the car and turn to her and brush the pad of my thumb across her cheek. â€Å"Hey, who said anything about losing?† She gathers some strands of hair out of her face and stares at the front end of the car. The glow of the fire highlights the worry in her eyes. â€Å"I know Ethan and you didn’t get everything fixed. You were working too fast and I’m sure you didn’t do that great of a job.† â€Å"The car’s fine,† I assure her. â€Å"But you need to sit this one out.† â€Å"No way,† she argues, folding her arms over her chest defiantly. â€Å"I’m going to at least sit in the passenger seat and ride with you. â€Å" I shake my head. â€Å"Not this time, pretty girl.† She starts to fume, so I lean in and kiss her right in front of everyone, cupping the back of her head and grabbing her ass, letting people know she’s mine. Her body trembles as she kisses me back, even when someone whistles. When I pull away, she has this glazed look in her eyes. â€Å"Now take Lila and go sit over by the finish line.† She opens her mouth, then seals her lips shut and nods. Ethan and her trade places and she walks off with Lila over toward the line. Once they’re out of sight, Ethan says, â€Å"You sure you want to do this?† I nod, my gaze tracking the line of the road and the trees next to it. â€Å"You sure you want to do this?† â€Å"Absolutely,† he says. â€Å"I have nothing better to do.† We bump fists and climb into the car. I rev up the engine a few times, then inch it forward across the dirt and through the crowd toward the lineup area in front of The Hitch. â€Å"How’s the steering?† he asks rolling down the window, and letting the night air flow in. I veer it from side to side, testing it. â€Å"It’s shaky.† â€Å"Left or right?† â€Å"To the right.† â€Å"Make sure you do your turnaround to the left then.† I nod as we roll up to the lineup and Mikey’s already waiting for us. Ella and Lila are just off to the side, near the trees, sitting on the tailgate of someone’s truck. She has her eyes glued to us as Lila talks to her, swinging her legs. I thrum my fingers on the top of the steering wheel, eyeing the end of the road. â€Å"Quit psyching yourself out,† Ethan says and snatches up the iPod. â€Å"I think it’s time for a little tunes.† He scrolls through the music and â€Å"The Distance† by Cake flips on. He cranks it up so the base is bumping and we start nodding our heads. When it hits the chorus we start singing and Ethan taps his fingers on the dash, like he’s playing the drums. The more the song goes on, the more we get into it. I catch Ella laughing and shaking her head at us, because she knows this is Ethan and mines thing, but usually she’s in the car with us. â€Å"Hey, are we going to race?† Mikey shouts, slipping out his window and looking at us from over the roof with his hands in the air. â€Å"Or are we going to sit around and listen to music?† I floor the pedal so loud the sound rumbles through the night and his eyes widen slightly. He gets back into his car and throttles his own pedal. It’s half as loud and Ethan and I laugh at him. â€Å"Dude, quit wasting time and get your girl over here to start us off,† he calls out over the music. I turn it down a notch. â€Å"Get Chandra to do it.† â€Å"No man, you know the rules,† he says with a smirk. â€Å"The girlfriend of the one being challenged has to start off the race.† I roll my eyes, knowing Ella’s not going to like this, the old or the new version. I slide out of the window, cup my hands around my mouth, and shout over the roof at her. â€Å"Ella May, get your beautiful ass over here.† Lila has her distracted and she jumps. Her eyebrows furrow as I wave her over. She holds up a finger to Lila and hops of the hood, looking at me perplexedly as she makes her way through the crowd and over to me. I sit back in the car as she reaches the window and she lowers her head down, looking into the cab. â€Å"You have to start us off,† I tell her and she instantly makes a face. â€Å"It’s the rules. You know that.† â€Å"Those rules are sexist,† she says. â€Å"Let Mikey’s slutty girlfriend do it.† â€Å"You know he’s not going to let that happen.† â€Å"I could make him let it happen.† I press my lips together as her spitfire personality burns through all her fake politeness. â€Å"Can you just do it for me?† She rolls her eyes, then leans in and kisses my cheek. â€Å"But only for you.† Then she backs out of the car, with an exaggerated sway of her hips, making fun of the ordeal, but still looking hot as hell in her little shorts. Ethan and I bust up laughing as she turns around with a big embellished grin on her face. â€Å"Well, at least she’s entertaining,† he says, patting the side of the door with his hand to the beat of the music. I pump the gas a few times, my gaze attached to hers as she elevates her hands above her head. She looks at me as she counts down. When her arms drop, the tires squeal as we peel out. Ella I walk back through the cloud of dirt and hop on the tailgate with Lila. I spot Grantford through the crowd and when he sees me, he hurries away, ducking into the crowd, knowing Micha’s around. Lila swings her legs, taking in the surroundings. â€Å"What was that about?† â€Å"Rules,† I sigh, leaning forward so I can get a better view of the road. It’s hard to tell because it’s dark, but it looks like Micha is winning. I start to grow restless the farther away the taillights get and I jump off the tailgate and pace the dirt. â€Å"You’re nervous,† Lila observes. â€Å"And you’re making me nervous.† I bite on my fingernails, unable to settle down. â€Å"I don’t know what my problem is. Usually, I’m not this jumpy.† But I think deep down, I know exactly what my problem is. My feelings for Micha have been freed and now they consume me, own me, bind me to him. The crowd starts moving, nearly trampling me as they stare down the road, waiting for the turnaround. I hear the scared tones in their voices first before the crash. It’s like a train wreck, metal crushing and snapping apart. Lila’s eyes snap wide. â€Å"What the hell was that?† I spin around and shove my way to the front of the crowd. There are a few cars on the side backing up onto the road. â€Å"Shit,† someone says. â€Å"I think one of them wrecked.† I feel my heart crumble as I take off down the road. â€Å"Ella!† Lila shouts. â€Å"Where are you going?† I keep running, stumbling through the dark, searching for their lights. My flip flops fall off somewhere, but I keep going, needing to know. Cars are pulling out behind me and headlights shine at my back. Seconds later, Mikey’s car zooms by and he shouts something foul at me. Halfway down the road, the air turns to dirt and the sound of â€Å"The Distance† by Cake floods the air, only it’s stuck and keeps saying the same line over and over again. Spotting the outline of the car, I slow down. Suddenly, I’m back to the night my mom died. The Chevelle is smashed against the trunk of a large tree, the windshield smashed to pieces, and two of the tires are blown out. Somehow it must have flipped around and the driver’s side took most of the impact. I know whatever’s inside the car is bad, just like when I opened the bathroom door the night I found my mom and I won’t be able to do anything about it. I almost turn away and run, not wanting to see it, but the passenger side door swings open and Ethan stumbles out, clutching at his upper arm. There’s a path of blood dripping down his arm and his cheek is scraped. I snap out of my own thoughts and rush to him. â€Å"Are you okay?† â€Å"Ella, go get some help.† He coughs, nearly buckling to his knees. â€Å"No.† My voice comes out sharp and high-pitched and vomit burns at the back of my throat. I gently push him aside and climb into the car, which is filled with dirt and the air is muggy. â€Å"Micha.† I cover my mouth and shake my head. His head is flopped back against the headrest and turned away from me and his arms are slack to the side. Branches are poking in through the window and it looks like one of them might be lodged into his shoulder. His head turns toward me and his eyes widen. â€Å"Fuck. Ethan, get her out of here.† Ethan reaches in to pull me back, but I climb onto the console, taking in the long, thin stick stabbed in his shoulder. I can’t breathe. I can’t lose him. I can’t do this again. â€Å"Ella May, look at me.† His voice is hoarse as he locks eyes with me. â€Å"I’m okay, now back out of the car so Ethan can get me out of here.† My eyes scan his body, looking for any more wounds that could be hiding from me. â€Å"It’s just the branch? That’s the only place you’re hurt?† He nods lethargically. â€Å"A few stitches and I’m as good as new.† Kissing his forehead, I take a deep breath, hating to leave him as I back out of the car. Ethan’s walking up the road toward me with Benny at his side. He’s still clutching his arm and there’s a little bit of a limp to his walk. â€Å"Someone’s got to have two good arms to pull it out,† he says to Benny and I see him glance at me with concern in his eyes. Benny nods and hops into the car, while Ethan and I wait impatiently on the outside. Cars start to pull up, headlights lighting up the accident as people rubberneck. One of the cars is a Camaro and Mikey stands in front of it, laughing with his girlfriend at his side. â€Å"Fucking asshole swerved at us,† Ethan tells me as he glares at Mikey. Rage engulfs me and this time I let it take me over. I march up to him and shove him hard so he stumbles back into the front end of his car. â€Å"You think this is funny?† I shout. â€Å"They crash into a tree because of you and you keep driving. What the hell’s wrong with you?† His eyes darken and he steps toward me. â€Å"I won and that’s all that matters.† Shaking my head, I lift up my leg and knee him in the balls, hard. He groans, his face reddening as he hunches over and his girlfriend runs to his side to coddle him. I start to leave when he straightens back up. Cradling his injured guy parts, he charges, ready to hit me. Ethan blocks him and shoves him back with his good arm. â€Å"If you touch her, I’ll slam my good fist into your face.† This is not the first time he’s had to say that to someone on my behalf. Mikey backs down from the fight, muttering something about it not being worth it as Benny helps Micha out of the car. The branch is out of his shoulder. Left in its place is a hole, which is bleeding down his arm and shirt, but he’s alive and breathing and that’s all that matters. We get him into the front seat of Benny’s GTO and then Ethan and Lila get in the back. Micha has me sit on his lap, and he nuzzles his head into my chest. I hold onto him tightly as we speed off into the night. How to cite The Secret of Ella and Micha Chapter 20, Essay examples

Crocs free essay sample

The companys primary products include footwear and accessories which utilize its proprietary closed cell-resin, Croslite. It operates through three segments: Americas, Europe and Asia. *source from WSJ. The stock price (from 1/1/2007 to now) shows the overall up and down trends to Crocs. The point indicates on Nov. 2007, Crocs’s price meltdown. Clearly, Nov 2007 is just a start for Crocs to keep going down. 2. Management problems-Inventory Crocs is a huge shoe-manufactory and international company. As mentioned in the case, there is some management problems exist in the company. As seen the chart of price above, such big volatile may reflect something wrong in the company. As we analyze the balance sheet and income statement of Crocs. We find that the inventory turnover is a little low. That is a huge problem for Crocs. Because the low rate means there are too much surplus inventory in the company. While shoes are fashionable items and Crocs is now offering large amount of new styles to customers. We will write a custom essay sample on Crocs or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Thus the surplus inventories do damage to the company. The chart below compares Crocs with related-field companies to see if the inventory turnover is really low. *source from www. sec. gov/ However, I think Crocs’s inventory crisis may not be that serious. Because Crocs is an international company which focuses on seasonal products, the excess inventory can be digested selling abroad. Besides, there is another way to handle this problem. According to Ron Snyder, President and CEO of Crocs, theres really no risk in having excess inventory of our high-volume products, where the new products we want to have excess capacity in place where, when a given style takes off in a season, we can quickly ramp up and take advantage of that new style.